We had been warned about the size of the Vatican museum; therefore, we focused on our main mission to see the Sistine Chapel and Raphael Rooms. However, once we entered and we realized you can only do one way. We could not just jump ahead to where we wanted to go; therefore, we went with the flow.
The Gregory Egyptian Museum (Museo Gregoriano Egizio) was the first section we saw. Ian was amazed with the collection they had as he had seen quite a few Egyptian exhibits before, but nothing compared to this. This was actually my first time seeing a MUMMY, and they had a couple of MUMMIES on display. All I could think of was that the mummy would sit up and say “Hi, thanks for the visit.” I walked away the display quickly as I also not sure if I want people looking at my body after I die.
When the crowd kept passing us that we realized we took too long for each piece; therefore, after visiting the Pio-Clementine Museum (Museo Pio Clementiono) & the Gregory Etruscan Museum (Museo Gregoriano Etrusco), we walked past a string of paintings as if we were blindfolded, in order to reach the Sistine Chapel and Raphael Rooms.
The artwork in the Sistine Chapel wasn’t the largest or the oldest, but it was undoubtedly the most magnificent in execution and richest in meaning. Small and cozy, the chapel itself was filled with tourist. Pictures were not allowed, nor were loud talking. The guards will periodically shout “no camera” whenever someone unholstered their photographic equipment and a loud “shhsss” can be heard taming the crowd whenever the noise level surpassed polite whispers. At the front of the chapel, you will find the master piece by Michelangelo Buonarroti﹝1475 ~ 1564﹞ – Last Judgment – who worked on it alone for seven years until its completion in 1541. His tormented attitude to his faith had conveyed in imagery was upsetting. He depicted Christ has no sympathy for the agitated saints around him, no pity for the people that got hurled down by demons in hell. It was sad to see someone who was devoted his religion for most of his life and later felt tormented by it.
We weren’t sure if it was due to the euphoria of having just seen the crown jewel of Vatican art or whether it was simply the arrangement of Vatican museum itself, but the artwork after the Sistine Chapel felt like garnish to us. At the protest of our stomachs, we proceeded to have our late lunch at the cafeteria. We then strolled through another wing of the museum with just paintings. I was exhausted by that time, so only Ian was still enthusiastic about searching for Caravaggios amongst the lot.
As we ran out of time, we took a quick look of the St Peters on the outside and decided to come back the next day. That evening we went back to the Coliseum to witness its beauty at night; don’t be surprised if you see a lot of small crowds chilling out in the area. Reminder: please have your tripod with you, we managed to take a few pictures by wisely using the rails and objects surrounding it, however, we couldn’t fit the whole Coliseum in most shots.








